Alsdorf, Bridget. 2022. “Review of Emily A. Beeny and Francesca Whitlum-Cooper, Poussin and the Dance”. The Seventeenth Century. Referenced from www.tandfonline.com: Review of Emily A. Beeny and Francesca Whitlum-Cooper, Poussin and the Dance.

Alsdorf, Bridget. 2020. “No Flourish Was Too Much: James Tissot”. The London Review of Books. Referenced from www.lrb.co.uk: No Flourish Was Too Much: James Tissot.

Alsdorf, Bridget. 2022. “At the Barnes: Suzanne Valadon”. The London Review of Books. Referenced from www.lrb.co.uk: At the Barnes: Suzanne Valadon.

Alsdorf, Bridget. 2022. Gawkers: Art and Audience in Late Nineteenth-Century France. Princeton and Oxford: Princeton University Press. Referenced from press.princeton.edu: Gawkers: Art and Audience in Late Nineteenth-Century France.

Alsdorf, Bridget, Todd Cronan, and Marnin Young. 2021. “The Nineteenth Century (Part Three)”. Nonsite. Referenced from nonsite.org: The Nineteenth Century (Part Three).

Alsdorf, Bridget. 2021. “Vallotton, Fénéon, and the Legacy of the Commune in Fin-De-siècle France”. Nineteenth-Century French Studies 49 (3-4). Referenced from muse.jhu.edu: Vallotton, Fénéon, and the Legacy of the Commune in Fin-de-siècle France.

Alsdorf, Bridget. 2019. “At the Royal Academy: Félix Vallotton”. The London Review of Books. Referenced from www.lrb.co.uk: At the Royal Academy: Félix Vallotton.

Alsdorf, Bridget. 2019. “Les Badauds à La Baraque De La Goulue”. In Toulouse-Lautrec: Résolument Moderne. Paris: Réunion des musées nationaux. Referenced from www.grandpalais.fr: Les badauds à la baraque de la Goulue.

Alsdorf, Bridget, and Marnin Young. 2019. “The Nineteenth Century (Part Two)”. Nonsite. Referenced from nonsite.org: The Nineteenth Century (Part Two).

Alsdorf, Bridget. 2019. “Manet’s Fleurs Du Mal”. In Manet and Modern Beauty - The Artist’s Last Years. Los Angeles: Getty Publications. Referenced from yalebooks.co.uk: Manet’s Fleurs du mal.

Alsdorf, Bridget, and Marnin Young. 2018. “The Nineteenth-Century (Part One)”. Nonsite. Referenced from nonsite.org: The Nineteenth-Century (Part One).

Alsdorf, Bridget. 2014. “Nineteenth-Century France Now: Art, Technology, Culture”. Nonsite. nonsite 14. Referenced from nonsite.org: Nineteenth-Century France Now: Art, Technology, Culture.

Alsdorf, Bridget. 2016. “Review of James Herbert, Brushstroke and Emergence: Courbet, Impressionism, Picasso”. Critical Inquiry. Referenced from criticalinquiry.uchicago.edu: Review of James Herbert, Brushstroke and Emergence: Courbet, Impressionism, Picasso.

Alsdorf, Bridget. 2017. “Painting the Femme Peintre”. In Women Artists in Paris, 1850-1900, 25-39. New Haven: Yale University Press. Referenced from www.amazon.com: Painting the Femme Peintre.

Alsdorf, Bridget. 2016. “Coude à Coude: Au Coin De Table De Fantin-Latour”. In Fantin-Latour (1836-1904): À Fleur De Peau, 32-39. Paris: Réunion des Musées Nationaux.

Alsdorf, Bridget. 2015. “Utrillo: Picturing the Picturesque”. In Suzanne Valadon, Maurice Utrillo, André Utter: 12, Rue Cortot. Paris: Somogy.

Alsdorf, Bridget. 2014. “Bonnard’s Sidewalk Theater”. Nonsite 14: 1-35. Referenced from nonsite.org: Bonnard’s Sidewalk Theater.

Alsdorf, Bridget. 2016. “Hammershøi’s Either Or”. Critical Inquiry 42 (2): 268-305.

Alsdorf, Bridget. 2015. “Félix Vallotton’s Murderous Life”. The Art Bulletin 97 (2): 210-28.

Alsdorf, Bridget. 2013. “The Art of Association”. Berfrois. Referenced from www.berfrois.com: The Art of Association.

Alsdorf, Bridget. 2013. “Review of The Studio Reader: On the Space of Artists, Eds. Mary Jane Jacob and Michelle Grabner (Chicago: University of Chicago Press, 2010)”. The Art Bulletin.

Alsdorf, Bridget. 2013. “Vallotton’s Theater of Death”. In The Avant-Gardes of Fin-De-Siècle Paris: Signac, Bonnard, Redon, and Their Contemporaries. Ed. Vivien Greene. New York: The Solomon R. Guggenheim Foundation.

Alsdorf, Bridget. 2012. Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting. Princeton, NJ, and Oxford: Princeton University Press. Publishers Version: Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting.

Alsdorf, Bridget. 2011. “Fantin’s Failed Toast to Truth”. The Getty Research Journal 3: 53-70.

Alsdorf, Bridget. 2010. “Interior Landscapes: Metaphor and Meaning in Cézanne’s Late Still Lifes”. Word & Image 26: 314-23.

Alsdorf, Bridget. 2010. “La Fraternité Des Individus: Les Portraits De Groupe De Degas”. 48/14:/La/Revue/Du/Musée/d’Orsay 30: 30-43.

Alsdorf, Bridget. 2009. “Femininity and Animality: Portraits of a Lady Exposed”. In Andrea Hornick: Recent Work, 1460-1865. New York: David Krut Projects. Referenced from davidkrutprojects.com: Femininity and Animality: Portraits of a Lady Exposed.

Alsdorf, Bridget. 2008. “Pleasure’s Poise: Classicism and Baroque Allegory in Poussin’s Dance to the Music of Time”. The Seventeenth Century 23: 198-224.

Alsdorf, Bridget. 2001. “Paul Cézanne, Man With Crossed Arms, Ca. 1899; Vasily Kandinsky, Blue Mountain, 1908-09; Joan Miró, Landscape (The Hare), Autumn 1927”. In Art Through the Ages: Masterpieces of Painting from Titian to Picasso. New York: The Solomon R. Guggenheim Foundation.

Vivien Greene, Nancy Spector, Bridget Alsdorf, and others. 2019. “The Guggenheim Museum Collection: A to Z”. Ed. Nancy Spector. New York: Guggenheim Museum. Referenced from www.guggenheim.org: The Guggenheim Museum Collection: A to Z.

Alsdorf, Bridget. 2014. “Cyprien Gaillard: Blowing Off Steam”. Parkett 94: 238-49.

Alsdorf, Bridget. 2014. “Manet’s Quarrel With Impressionism”. In Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection. New Haven and London: Yale University Press.

Alsdorf, Bridget. 2014. “Review of Patricia Leighten, The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris (Chicago: University of Chicago Press, 2013)”. Nineteenth-Century Art Worldwide. Referenced from www.19thc-artworldwide.org: Review of Patricia Leighten, The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris (Chicago: University of Chicago Press, 2013).