@misc{183051,
  author = {Bridget Alsdorf and Todd Cronan and Marnin Young},
  title = {The Nineteenth Century (Part Three)},
  abstract = { <a href="https://nonsite.org/william-morris-the-poetics-of-indigo-discharge-printing/">William Morris: The Poetics of Indigo Discharge Printing</a><br>by Caroline Arscott<br><br><a href="https://nonsite.org/daguerre-christian-prometheus/">Daguerre, Christian Prometheus</a><br>by {\'E}ric Michaud<br><br><a href="https://nonsite.org/ruskins-broken-middle/">Ruskin{\textquoteright}s Broken Middle</a><br>by Jeremy Melius<br><br><a href="https://nonsite.org/chardins-pastels/">Chardin{\textquoteright}s Pastels</a><br>by Eik Kahng<br><br>This issue also includes a feature on Michael Fried and the possibility of a Marxist art criticism. We reprint Fried{\textquoteright}s original 1962 speculation along with four contemporary responses:<br><br><a href="https://nonsite.org/marxism-and-criticism/">Marxism and Criticism</a><br>by Michael Fried<br><br><a href="https://nonsite.org/some-comments-on-the-claims-made-for-and-against-painting/">Some Comments on the Claims Made For and Against Painting</a><br>by Jeff Wall<br><br><a href="https://nonsite.org/art-as-seeing-through-neoliberal-de-reification/">Art as Seeing Through Neoliberal De-reification</a><br>by Irmgard Emmelhainz<br><br><a href="https://nonsite.org/john-berger-michael-fried-and-contemporary-art/">John Berger, Michael Fried and Contemporary Art</a><br>by Blake Stimson<br><br><a href="https://nonsite.org/lukacs-fried/">Luk{\'a}cs/Fried</a><br>by Nicholas Brown<br><br>In The Tank:~<br><a href="https://nonsite.org/responses-to-hooked-art-and-attachment/">Responses to Rita Felski{\textquoteright}s "Hooked: Art and Attachment" (2020) by Anna Kornbluh, Robert S. Lehman, Michael Gallope, and Jess Keiser</a> },
  year = {2021},
  journal = {nonsite},
  url = {https://nonsite.org/issues/issue-35-the-nineteenth-century-part-iii/},
  language = {eng},
}